「第四十四屆香港電影金像獎」頒獎典禮將於2026年4月19日（星期日）假香港文化中心隆重舉行。香港電影金像獎協會（大會）繼早前發放本屆紀念特刊內「最佳導演」及「新晉導演」各候選人的造型照後，今日發布「最佳男主角」候選人（以下按大會提名名單排序）古天樂、張繼聰、梁家輝與陳家樂，以及「最佳女主角」候選人馬麗、許恩怡、廖子妤、章子怡及陳法拉的造型照。

最佳男主角候選人造型照: https://www.facebook.com/share/p/1AkHzJCoWs/
最佳女主角候選人造型照: https://www.facebook.com/share/p/1BResHNTo9/

曾獲多次提名並在第三十七屆奪得金像獎「最佳男主角」的古天樂今年憑《私家偵探》及《尋秦記》兩部作品同時入圍。他在前者飾演洞悉人性、專門調查感情糾紛的私家偵探，以沉穩而帶幽默感的演出呈現角色在冷靜專業與內心脆弱之間的拉扯；在後者則再度化身深受觀眾喜愛的「項少龍」，穿越時空面對複雜的歷史局勢與命運抉擇，在保留角色幽默一面的同時，以更內斂成熟的演繹呈現人物歷經風雨後的成長。

曾四度奪得金像獎「最佳男主角」的梁家輝今屆憑犯罪動作片《捕風追影》再度入圍。片中他飾演匪幫主腦「狼王」，幕後操控一支擁有反偵察能力的團隊。他的演出將表面斯文但深藏不露的主謀形象立體呈現，為電影增添沉重壓迫感。張繼聰憑自資參與製作的《金童》第二度入圍「最佳男主角」。片中他飾演意外入獄的拳壇新星，出獄後既要重返擂台追尋未完的夢，又要學習與分隔多年的兒子建立關係。在體能與演技雙重磨練下，他展現了父子情與自我救贖之間的掙扎與永不言棄的精神。陳家樂憑《像我這樣的愛情》首次躋身「最佳男主角」最後五強，片中他飾演為殘疾人士提供性服務的義工，與身心受創的女主角發展出一段難以定義的關係。他真摯而含蓄地演活一個外表開朗但內心帶傷的角色，與對手一同展現互相治癒的細膩情感。

馬麗憑真人真事改編的《水餃皇后》首度角逐香港電影金像獎「最佳女主角」。 片中她飾演帶著兩個女兒來港打拼的單親媽媽，最終憑賣水餃闖出事業，由街頭小販晉身自家品牌創辦人。她的演出貼地而具韌性，演活在逆境中努力求存的基層人物，勾勒出帶有「香港精神」勵志歷程。同為首獲「最佳女主角」提名的陳法拉憑《贖夢》打入今屆最後五強，她演的角色長期掙扎於事業與家庭之間，因一宗牽涉舊事的案件被迫直面早已封存的罪疚創傷。陳法拉以細膩的演技展開一段追尋真相與自我寬恕之旅，揭示冷靜外表下的裂縫，編織成「贖罪」與「重生」的故事。

許恩怡憑《無名指》第二度入圍「最佳女主角」，片中她飾演自小患重病、身體逐漸失去活動能力的鄧辭，只能用僅餘可活動的無名指創作與表達自我。許恩怡在片中需要掌握角色的肢體限制與心理變化，將堅強樂觀與脆弱拿捏得恰到好處，彰顯父女與照顧者之間的情感。廖子妤憑《像我這樣的愛情》由「最佳女配角」躍升問鼎「最佳女主角」，飾演患腦性麻痺、追求獨立生活的阿妹。她因接觸為殘疾人士提供性服務的組織而結識阿健，二人在破除偏見的互動中互生情愫，以真誠而勇敢的演出呈現少數群體對親密關係與身體自主的渴望。曾兩度封后的章子怡今屆憑《醬園弄‧懸案》第五次入圍角逐「最佳女主角」。電影改編自民國殺夫分屍案，章子怡飾演被控殺夫的女子，其身份與動機在警方偵查、傳媒報道與證人證詞間被反覆重寫。她在冷靜克制與情緒崩潰之間揮灑自如，層層揭示性別權力與家庭暴力的陰暗。

「第四十四屆香港電影金像奬」獲得各大機構鼎力支持及贊助，包括：
策略媒體伙伴：L'OFFICIEL、影城贊助：邵氏影城、耀目贊助：溥儀眼鏡、盛饌支持：foodpanda香港、無價時刻：Mastercard、特刊珠寶贊助：GRAFF、酒店伙伴：香港麗晶酒店、商品合作伙伴：PabePabe、sensory ZERO、Olfaction N’ 及24Bottles、廣告伙伴：領彩有限公司 及 香港誠品文化有限公司、特刊拍攝場地伙伴：香港知專設計學院、大會指定電視台及電視製作伙伴：香港電視娛樂有限公司(ViuTV) 及 MakerVille、海外播放機構：映嘉娛樂、Starhub+ 及 TrueVisions Now。

特別鳴謝香港電影化妝師及髮型師協會為本屆金像獎提供髮型及化妝支援。



The 44th Hong Kong Film Awards will be held on 19 April 2026 (Sunday) at the Hong Kong Cultural Centre. Following the earlier release of the ‘Best Director’ and ‘Best New Director’ nominees’ portraits in this year’s commemorative booklet, the Hong Kong Film Awards Association (HKFAA) today (26 March) has unveiled the styling photos of the ‘Best Actor’ nominees (according to the nomination list order) Louis KOO, CHEUNG Kai Chung Louis, LEUNG Ka Fai Tony and Carlos CHAN, as well as the ‘Best Actress’ nominees MA Li, Natalie HSU, Fish LIEW, ZHANG Ziyi and Fala CHEN.

Best Actor Nominees : https://www.facebook.com/share/p/1AkHzJCoWs/
Best Actress Nominees : https://www.facebook.com/share/p/1BResHNTo9/

Louis KOO, who has been nominated multiple times and won ‘Best Actor’ at the 37th Hong Kong Film Awards, is double-nominated this year for his performances in “Behind the Shadows” and “Back to the Past”. In the former, he plays a private investigator who specialises in relationship disputes and sees through human nature, balancing a calm professionalism with a sense of humour while revealing the character’s inner vulnerability; in the latter, he reprises the beloved “HONG Siu-lung”, a time‑traveller navigating complex historical turmoil and personal destiny, showing a more restrained and mature side to the character’s growth after many trials.

Four‑time ‘Best Actor’ winner LEUNG Ka Fai Tony is nominated again this year for the crime action film “The Shadow’s Edge”. He plays the gang leader “Wolf King”, the mastermind behind a team with strong counter‑surveillance skills, projecting a refined yet unfathomable villain whose presence infuses the film with a suffocating atmosphere. CHEUNG Kai Chung Louis receives his second ‘Best Actor’ nomination for “Golden Boy”, a self‑funded project in which he plays a rising boxing star who ends up in prison by accident; after his release, he must both return to the ring to chase his unfinished dream and learn to reconnect with his long‑separated son, embodying perseverance and the struggle between father‑son affection and personal redemption. Carlos CHAN earns his first spot in the ‘Best Actor’ top five for “Someone Like Me”, playing a volunteer who provides sexual services for people with disabilities and develops a hard‑to‑define relationship with the trauma‑scarred heroine, conveying with sincerity and subtlety a cheerful exterior masking inner wounds, and a gentle, healing bond between two damaged souls.

MA Li makes her first bid for ‘Best Actress’ at the Hong Kong Film Awards with “The Dumpling Queen”, adapted from a true story. She portrays a single mother who brings her two daughters to Hong Kong to start over and eventually builds a career selling dumplings, rising from street hawker to founder of her own brand, vividly capturing a grassroots woman’s resilience and “Hong Kong spirit” in the face of hardship. Another first‑time Best Actress nominee, Fala CHEN breaks into the final five with “Peg O’My Heart”, playing a woman long torn between career and family who is forced by a case tied to her past to confront buried guilt and trauma; with delicate acting she embarks on a journey to uncover the truth and forgive herself, exposing cracks beneath her calm facade and weaving a story of atonement and rebirth.

Natalie HSU receives her second ‘Best Actress’ nomination for “My First of May”, playing Tang Ci, who has suffered from a serious illness since childhood and is gradually losing mobility, left with only her ring finger to create and express herself. The role demands precise control of physical limitations and psychological shifts, and she balances strength, optimism and vulnerability while highlighting the emotional ties between father, daughter and caregivers. Fish LIEW advances from past ‘Best Supporting Actress’ recognition to contend for ‘Best Actress’ with “Someone Like Me”, playing Ah Mui, a woman with cerebral palsy striving for independent living, who meets Ah Kin through an organisation that offers sexual services to people with disabilities; her honest and brave performance explores the desire of minorities for intimacy and bodily autonomy. Two‑time ‘Best Actress’ winner ZHANG Ziyi gains her fifth nomination with “She’s Got No Name”, based on a Republican‑era case of a woman accused of killing and dismembering her husband; she plays the accused wife, whose identity and motives are repeatedly rewritten through police investigations, media reports and witness testimonies, shifting fluidly between composure and breakdown to expose the dark realities of gendered power and domestic violence.

The 44th Hong Kong Film Awards are supported and sponsored by many organisations, including :
Strategic Media Partner, ‘L’OFFICIEL’, Studio Sponsor, ‘Shaw Studios’, Dazzling Sponsor, ‘Puyi Optical’, Million Tastes Sponsor, ‘foodpanda Hong Kong’, Priceless Moment Sponsor, ‘Mastercard’, Booklet Jewellery Sponsor, ‘GRAFF’, Hotel Partner, ’Regent Hong Kong’, Merchandise Partner, ‘PabePabe’, ‘sensory ZERO’, ‘Olfaction N’’, and ‘24Bottles’, Advertising Partner, ‘Leading Rainbow Limited’ and 'Eslite Culture Hong Kong Limited', Booklet Shooting Venue Partner, ‘Hong Kong Design Institute’, Official TV Broadcaster and TV Production Partner, ‘HK Television Entertainment Company Limited (ViuTV) & MakerVille’, Overseas Broadcaster, ‘Celestial Tiger Entertainment’, ‘StarHub TV+’ and 'TrueVisions Now'.

Special thanks to the Hong Kong Film Make-up Artists and Hair Stylists Association for providing hair styling and makeup support for the 44th Hong Kong Film Awards.



如有任何垂詢，歡迎賜電 (852) 2367 7892
Please call (852) 2367 7892 for any further information


Hong Kong Film Awards Association
香港電影金像獎協會